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British and American note values
| Double whole | Breve | |
| Whole note | Semi-breve | |
| Half note | Minim | |
| Quarter note | Crotchet | |
| Eighth note | Quaver | |
| Sixteenth note | Semiquaver | |
| Thirty-second note | Demisemiquaver | |
| Sixty-fourth note | Hemidemisemiquaver (or quick note) | |
British and American rests values
| Double-whole rest | Breve rest | |
| Whole Rest | Semibreve Rest | |
| Half Rest | Minim Rest | |
| Quarter Rest | Crotchet Rest | |
| Eighth Rest | Quaver Rest | |
| Sixteenth Rest | Semiquaver Rest | |
| Thirty-second rest | Demisemiquaver rest | |
| Sixty-fourth rest | Hemidemisemiquaver rest |
British and American cadences
| Authentic cadence | Perfect cadence | V -> I |
| Perfect Authentic cadence | No British label for that concept | V5 -> I5 |
| Imperfect authentic cadence | No British label for that concept | V -> I (at least one is not in root position) |
| Half-cadence (semi-cadence) | Imperfect cadence | V |
| Plagal cadence | Plagal cadence | IV -> I |
| Deceptive cadence | Interrupted cadence | V -> VI |
| No American label for that concept | Inverted cadence | Cadence whose chords are not in root position |
Intervals and degrees
| Half step | Semitone |
| Whole step (noun) | Tone (noun) (but as an adjective, whole-tone scale = whole-tone scale) |
| Leading tone | Leading note |
| Picardy third | Tierce de Picardie |
Other
| Staff (sing.) / staves (plur.) | Stave (sing.) / staves (plur.) |
| Grand staff | Great stave |
| Bar, barline (line between bars) | Barline |
| Measure | Bar |
| Fermata | Hold, pause, fermata |



















Thank you so much for this it’s incredibly helpful
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